![]() ![]() Further, the other types like bumpy and razor sound like they prioritize different frequency ranges. Similarly, the ‘lightning’ type adds harsh distortion alongside white noise. For example, ‘crackly’ emulates jittery wires and ‘pixelated’ adds a noisy lo-fi effect at a low bit depth. However, the other distortion types do not emulate traditional distortion effects. For example, the tube distortion emulates classic tube amps, and the amp distortion emulates Class A amp saturation. These include saturation, asymmetrical, clip, tube, rectify, crackly, lightning, amp, bumpy, razor, and pixelated.Īs you probably expect, most of them do what the name states. The plugin provides eleven types of distortions, which applies to the delay wet. The result is similar to a shimmer reverb. Furthermore, if you need even more experimental sounds, try the reversed chaos mode.Īs the plugin suggests, it sounds excellent with diffusion. One of the coolest uses I’ve found for it is to change a voice into a strange, “evil” character. The ’chaos’ mode changes each echo’s pitch interval. Conversely, the ‘pure reversed’ mode reverses all the echoes. So, it produces a reversed echo every other time. The ‘reverse forward’ mode reverses the delay sound before it is fed back into the delay for the feedback system. Modesĭeelay provides five modes of delay: normal, reverse forward, pure reversed, chaos, and reversed chaos. The diffusion quality slider changes how smeared and smooth the diffusion sounds. You can add a small amount of diffusion to make the delay sound less distinct.įurthermore, the plugin allows you to change the diffusion amount, size, and quality. Diffusionĭiffusion smears Deelay’s echoes to make the effect sound like reverb. So, it saves time and effort while you explore experimental features. Similarly, it includes classic features like ping-pong mode, mono switch, millisecond mode, and sync mode with triplet and dotted timing. It provides many features that would require you to use multiple plugins with track routings. While many free delay plugins tend to be either too simple or too complicated, Deelay finds a rather good balance. Finally, you’ll find the preset dropdown menu with a user section for custom presets. It’s especially handy for vocals that need a different effect for each section. You can even automate the button to change the delay effect mid-song. Similarly, the A-B switch next to the Randomize button allows you to toggle between two configurations, each with a different color scheme. You’ll find the main delay parameters in the middle section of the user interface, whereas the rest of the controls allow you to add filters, distortion, modulation, and more.Īt the top left of the UI, you’ll find a Randomize button to change all the parameters, resulting in unexpected sounds. Head 1, Head 2, Head 3: use these switches to select the playback head(s) each head gives a different delay time.7.9 Readings that you may like: User Interfaceĭeelay features a modern user interface, which is fully resizable.Gain 2: volume of input 2 (right channel).Gain 1: volume of input 1 (left channel).Sustain: adjusts the number of repeats be careful with this knob!.Swell: adjusts the volume of the repeats.This is true for the actual hardware unit, and for the digital simulation as well! and it gets worse if you touch it while it's spinning heads tend to get dirty very soon, in fact you should clean them often. you should turn it off every now and then the tape is never completely erased, and the capstan motor flutters. When you turn it off and leave the tape loaded, the tape bends in proximity of the capstan, and this turns into a periodic pitch fall during echo playback plus, it gets hot and the background hum gets worse in time. WatKat is a digital clone of a Wem Watkins Custom Copicat tape echo unit. ![]()
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